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Making things look cool with Drew Brophy

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Interview by Jan Bernard

If you have ever surfed through the Internet and tagged surf art you must have come across Drew Brophy’s paintings.  I remember the first time I saw his work, it absolutely blew my mind.  Not to wonder that Drew’s profession as he describes it: "It's my job to make things look cool".

An accomplished big wave rider as well, Drew flies around the globe every time he has a chance to charge a big swell. 

 

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While he was attending high school, Drew’s guidance counselor told him the following: “Drew, you can’t just surf and paint your whole life.” And so he did.

We have been wondering what goes through Drew’s mind so we decided to hit him up and let him tell us:

 

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1.PS:  Hi Drew, first of all. Could you tell us where you where born and how you got into painting? 

DB:  I grew up in Myrtle Beach, South Carolina.  The waves were small but it was great for surfing as a young kid.

 

I started painting when I was very little.  My Kindergarten teacher told my mother I was good at creating energy with my drawings.

 

 

 

 

2.PS:  How did you start painting surfboards and when did it occur to you that you could make a living out of it?  

DB:  I began painting my own surfboards because they were old and beat up, and I wanted to make them look new.

But I really got into surfboard painting when I was a teenager.  I was a competitive surfer and I always painted my own boards.  The local shaper, Kelly Richards, hired me to work in his surfboard factory painting all the boards.

On my very first surf trip to Puerto Escondido, my surfboards were painted wild and crazy.  I got a two-page spread of me in the backside tube in Surfer Magazine, just because my board was painted.

 

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3.PS:  What where the main difficulties you encountered on your way to success?

DB:  At the beginning, it was hard to convince shapers to buy into my technique of painting surfboards with Posca paint pens.

Early on, I worked in factories where you airbrushed surfboards during the beginning of the manufacturing process.  It was very limiting painting on the foam. 

I was painting on my own surfboards after they were glassed, with Posca Paint Pens.  The surfboards didn’t look like “they were supposed to”, so shapers wouldn’t let me paint their boards that way.  This was the late 1980’s.  

When I moved to Hawaii in the early 1990’s, I thought that I could get shapers there to let me paint their boards with the Poscas.  I pitched this style of painting to every surfboard company in Hawaii.  I was disappointed that none of them got it; they just wanted me to airbrush.

Even when I arrived in California years later, I pitched the idea of painting with Poscas to shapers and surfboard brands.  Nobody realized how cool it was, and I was so frustrated.

Then, Matt Biolos (of …Lost) and I teamed up, and the rest is history.  We opened up the box of creativity.  We changed the way that surfboards were painted, forever.

 

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4.PS:  You charge some pretty serious waves. I was there for the big swell in Puerto last June and saw you catch some bombs. When did you start surfing big waves?  

DB:  As a kid I always dreamed of surfing big waves.  I believe as a surfer you either love big waves, or you don’t.

Growing up, the bigger the waves got, the better I surfed.  I was 19 when I took my first trip to Puerto Escondido.  It was the biggest wave I had ever seen!

For the first time in my life, I felt like I was in the right place.  That was the trip where I got my first shot in Surfer Magazine.

 

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5.PS:  What brings you back each time?

DB:  I have traveled around the world and surfed some of the best waves on the globe.  For me, Puerto is still the ultimate surf trip.

I watched the locals grow up.  I've seen big swells over the years.  It feels like home to me.

 

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6.PS:  Do you have any special training regimen to survive a 20 footer on the head?

DB:  Ha! 25 years of experience, yeah.  My whole life.

 

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7.PS:  We love your paintings and painting techniques. What did you use for your first paintings and how did you get into Posca paint pens?

DB:  As a kid I used anything I could get my hands on; crayons to spray paint.  

A friend of my parents, Mr. Rosen, was an executive who traveled to Tokyo every month.  One trip he brought me back a set of Posca Paint Pens as a gift.  Back then, nobody in the surfing world had ever heard of Posca.

I started painting my own surfboards with Poscas, and I realized it was a great way to paint surfboards.  I could paint better, with more creativity, faster.  It just clicked for me.

 

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8.PS:  Whom did you look up to while growing up (surfers, artists, etc.)?

DB:  I looked for a role model or mentor that could help me, but I never found it.  My truest inspiration was the places, the traveling, and the waves that inspired me to go see and surf. 

All the places that I read about in surfing magazines, I wanted to go there.  I dreamed of Tahiti, Mundaka, Australia.  It wasn’t people but places and waves that drove me.

 

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9.PS:  Your high school counselor told you that you couldn't surf and paint your whole life. Did you ever get back in touch with her?

DB: No, I never got back in touch with the counselor.  But Mrs. Cannon, the principle of my high school, is one of my biggest fans today.  We still keep in touch. 

 

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10. PS:  We know that you are also one pioneer in the SUP movement. Could you tell us about your trip with Seth Warren paddling the 225 miles of the Colorado River through the Grand Canyon?

DB:  It was one of the scariest, most beautiful trips I’ve ever taken.  The water was 42 degrees and without a life jacket, you would drown instantly.

It was a 16 day trip.  By day 8, I was ready to go home.  But once you’re in the canyon, there is no way out until the end.  So I had another 8 days to go!

 

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11. PS:  What kind of music do you listen to?

DB:  Led Zeppelin.

 

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12.PS:  We know Eddie Vedder is a big fan of your work. Could you share with us the kind of artwork he requested you to do for him?

DB:  For Eddie’s 40th birthday, Laird Hamilton commissioned me to paint a silver surfer on a new standup paddleboard as a birthday gift for him.  It was killer!

 

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13.PS:  Do you have any favorite surfspots?

DB:  Puerto, Pipeline, Teahupoo, Mundaka, anywhere with big left barrels.

 

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14.PS:  Of all the surfboards you have painted, is there one that you could not part with?

DB:  Gerry Lopez shaped me an 8’0” 70’s pipe gun.  I painted a killer “chasing the dragon” theme on it.  I haven’t ridden it yet.  I’ll never sell it.

15.PS:  Do you have any pointers for the hopefully upcoming artists?

DB:  Think about what it is that you want, what kind of lifestyle you want to live, and what you want from your art.  Once you know with clarity what you want, then you can have it.

One last thing:  I’m stoked to have been commissioned to paint a surfboard for the Los Cabos Open of Surf Event.    It will be presented to the winner of the women’s 6-star ASP Event.

Maybe we will get some big south swells, I’ll see you down in Puerto!

PS:  Mahalo for your time Drew, hope to see you next summer!

 

Australia becomes triple world champions in the isa world stand-up paddle and paddleboard championship While Mexico places sixth overall

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Translation: Heido Sundstrom

Amazing! For the third straight year in a row, the Australian SUP team wins First Place at the 2014 ISA World Stand-Up Paddle and Paddleboard Championship, celebrated in Nicaragua this past week. The Australian team won eight of the twelve Gold Medals for teams and the Club Waikiki-Peru trophy for the World Championship Team.

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The races require an enormous amount of physical and mental conditioning, a well-defined technique, knowledge of the terrain, the current and the wind, as well as knowledge of the rules, something that the French team ended up being eliminated for in the semifinals due to lack of knowledge about contest regulations. 

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Casper Steinfath, from Denmark, and Australian, Shakira Westdorp, won the SUP Technical Race, while Australians, Rhys Burrows and Jordan Mercer, won the Paddleboard Technical Race.



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The Mexican team competed well, although they dropped three places compared to last year’s contest. The level of worldwide competition has increased and the development of paddleboarding has really taken off in a short amount of time. There are a lot more young people practicing this sport and this year’s competition saw quite a few new countries competing. 

The last day of competition was crucial for everyone, although some teams held a distinct advantage. Mexico held strong in fifth place and hoped to make it to the prize podium, but, unfortunately, they couldn’t hang on to their position and were bumped to sixth, the despair and longing evident in their faces. Fernando Stalla, who was set to finish the race, finally took his position and paddled with everything he had. He managed to leave last place behind, but first place was just too far out of reach and held a noticeable advantage in respect to all the other competitors.

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The Mexican SUP team was made up of: Fernando Stalla, Javier Jimenez, Esperanza Mares, Hector Gonzalez, Tzahui Poo Vazquez, Karen Jacobson, Antonio Valdez, Oliver Cruz and Gaby Farias, under the direction of Alfredo Salafranca and Jose Luis Caselin and their assistant, Leyla Morris. Congratulations, team, on a job well done!

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Team Overall Results :

1. Australia - 16,750


2. US - 13,100
3. Brazil - 10,667
4. Spain - 10,501
5. France - 9,532
6. Mexico - 9,398
7. South Africa - 9,032
8. Peru - 8,671
9. Venezuela - 8,266
10. New Zealand - 8,261
11. Nicaragua - 7,527
12. Great Britain - 7,360
13. Guatemala - 6,234
14. Canada - 6,180
15. Denmark - 5,053
16. Costa Rica - 3,870
17. Ireland - 2,670
18. Italy - 2,300
19. El Salvador - 2,080
19. Tahiti 19 - 2,080
21. Chile - 1,870
22. Latvia - 1,865
23. Germany - 1,560
24. Colombia - 1,360
25. Japan - 1,276
26. Panama – 1,200

27. Barbados - 720


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Brand new episode of Fergal Smith’s Growing now live

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Ferg visits his childhood friend Eamon and we get to look around his workshop. Eamon shows us how to whittle a wooden spoon and Ferg gets his new stick! Enjoy! Subscribe to Line9:

All music by Eamonn O'Sullivan -www.newoldwoodshop.ie

Spoons Section - Idol Times

Wave Section - Henry Dufont

Line9 brings the audience closer than ever before to the best & most compelling stories from inside the world of surfing, skateboarding, snowboarding & BMX. Subscribe to Line9

Long running documentary series following the lives of Fergal Smith, Harry Main, Madars Apse and Stale Sandbech. 

A filmer and athlete talent search allowing anyone to become part of the Line9 crew

A comments based studio show that allows the audience to lead the agenda and define the conversation. 

and much more...

Join us and Subscribe:

The battle has begun... The 2014 reef acapulco pro surf open presented by monster

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Translation: Heido Sundstrom
There’s no deadline that can’t be met and this Thursday morning, the highly anticipated Reef Acapulco Pro Surf Open (presented by Monster) kicked off at Playa Bonfil. There were decent waves for both the bodyboarders and shortboarders alike.

Municipal Government Officers were present at the inauguration of the contest, making one sense the support of the government in making surf contests like this possible, while promoting local and state beaches that are perfect for practicing this extreme sport.

In the bodyboarding heats, the more experienced competitors passed in the top spots but tomorrow may be a different story, as they’ll be competing against the previously advanced competitors that will join the action and create some fierce competition.

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BODYBOARD

HEAT 1                
ERNESTO SILVA GRO  2
EDUARDO RODRIGUEZ  3
ARTURO AYALA GRO 1

HEAT 2                
DANIEL DIAZ GRO 1
IRVING ROBLES  GRO  2
MARCOS RAMOS MICH  3

HEAT 3                
LUIS ANTONIO DELGADO  GRO   2
JOSE MANUEL PALMA GRO   3
DANIEL SUTTER GRO   1

 

HEAT 4
CARLA ORFEI ARG 3
ALEJANDRA QUEVEDO GRO  2
MIGUEL QUEZADA GRO 1

HEAT 5
ALEJANDRO CORTEZ GRO 3
ANGEL ROMAN GRO  1
BORIS DUEÑAS  GRO  2

HEAT 6
DAVID GENCHI GRO  1
CRISTIAN CANDELA GRO 3
ALONZO PINEDA COL  2

2At the main tower, the shortboard pro’s ignited the crowd with impressive tricks and maneuvers. The one that stood out was 15-year-old Johnny Corzo from Puerto Escondido, Oaxaca, who selected a long left tube that he exited with a few extra tricks and rode practically all the way to shore. The wave nabbed him a 9-point score from the judges, leaving Douglas Silva from Hawaii in Second Place.

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Heat 1
JONATHAN REYES  GRO  3
NAHUM CORZO   OAX   1
JORGE HERNANDEZ  GRO 2

Heat 2
BRANDON CABRERA  GRO  2
WILBER LUNA  OAX  3
MITCHEL SALAZAR SIN 1

Heat 3
SASHA DONNANO OAX  1
ALEJANDRO RAMIREZ COL 2
MANUEL MEDINA  OAX 3

Heat 4 
MIGUEL ROQUE* GRO  2
JACOB MCGRAW OAX  1
ERNESTO MORALES GRO 3   

Heat 5                
DIEGO CADENA NAY 1
CHARBEL AZZI    BCN  2
LUIS REY HERNANDEZ  GRO 3

Heat 6 
JULIO QUIÑONEZ COL 1
TEHUEN PETRONI OAX  3
IVAN ROJAS  GRO 2


Heat 7 
JAFET RAMOS  OAX  1
TRAVIS SOTHWORTH  NAY  2
RAUL MEDINA MICH  3

Heat 8                               
JOHNY CORZO   OAX 1
FERNANDO DOMINGUEZ  SIN 3
DUGLAS SILVA  HWI   2

Heat 9
JIMMEL CORZO OAX 1
MARCOS CANDELA GRO 2
ONIVER PEREZ   GRO  3           

Heat 10
ROBERTO OLGUIN  GRO  3
CESAR PETRONI   OAX   2
ALEX CHACON      BRA    1           

Heat 11
SERAFIN CHINO GRO   2
RAY HERNANDEZ   GRO  3
MARIO FARIAS MICH 1

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In the impact zone with Edwin Morales

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Interview by: Jan Bernard

Translation: Heido Sundstrom


If you think surfing the “MexPipe” is complicated and dangerous, imagine swimming in the middle of the impact zone and dealing with giant sets, rip tides, as well as other surfers. There are few surf photographers with the skills needed to defy these waves while, at the same time, getting the perfect shot, but Edwin Morales is one such photographer.

EA Puerto Escondido local, Edwin is one of the most renowned and recognized surf photographers in the media. He has collaborated with the most prestigious surfing magazines and, at the same time, put the name of his country on the map in countries around the world.

 

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Planeta Surf: Hi Edwin, first of all congratulations on your job and thanks for sharing your experience as a photographer with us.  Could you tell us how you got drawn into photography?

Edwin Morales: Hello, friends at Planeta Surf.  First of all, I want to thank you guys for giving me the space to share my experiences with all of you and to be able to promote a little bit of my work for all the readers of Mexico.

Everything started thanks to my older brother, Abisai Morales.  He was studying photography in the city of Oaxaca when we were in college in the late 90s. He had a dark room where, on occasion, I was able to assist him in developing and processing images. While watching him work, I got instantly hooked on photography, since creating your own images behind a lens is quite an art. Using all of the different methods of developing and processing (depending on what you planned to obtain in the image) also fascinated me. From there, I started shooting with his camera to learn everything he had to teach me about the basics of photography: shutter speed, aperture, iso, lighting, etc. At the beginning, it was really more of a hobby.

 

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PS: There aren't many professional surf photographers in Mexico. Could you share with us the first time one of your photos was sold and the moment when you decided you wanted to make a living from photography?

EM: As I said before, it all started as a hobby for me. All I wanted to do was take pictures of my friends surfing. I remember that my motivation has always been to expose the talent that we have in Puerto Escondido and in Mexico. I never imagined myself having a professional career as a surf photographer though. At that time, I was struggling to become a professional bodyboarder and was focused on my training for national and international competitions to qualify for the World Tour. Slowly, I began to work with Puerto's top surfers, like Oscar Moncada, David Rutherford, Coco Nogales, the Ramirez brothers, etc. I started to meet people from other countries that got me in touch with people in the surfing industry and helped me via email to promote my images. But if I had to mention one specific detail of photography that had an impact in my life, it was the fact that you can freeze a specific moment and turn that moment into an eternity.

 

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PS: Playa Zicatela is recognized as one of the heaviest beach breaks in the world (if not the heaviest). Unlike a point or reef break, a beach break can make the wave break in whatever part of the water. Experienced surfers have lost their lives or have been paralyzed in spots like Puerto. How does it feel to take photos in such a dangerous place? Are there any stories or situations in particular that had you spooked?

EM: I’m glad you brought that up; it’s a very good point. It is really dangerous here because there’s nowhere to escape to if need be. You always have to be very alert about what the ocean is doing. Before entering the water, someone like a photographer must evaluate the situation and know if they really have the ability to confront those waves. When the waves are smaller, it is easier, but I also don’t want to say that it isn’t complicated. When the waves are big, the biggest danger is that you’re always in the impact zone and your life is always at risk. When a big set comes, you can see all the surfers paddling fast with their longboards, but we only have one free arm and a pair of fins to move us and the camera housing, which can sometimes weigh up to a few pounds. This reduces your speed by about 70% and sometimes you can’t move because of the fear. [Laughs]

One scary experience I had was during a session I had with Timmy Reyes and Alex Gray here in Puerto. I wasn’t paying attention to a current that was forming and got trapped and couldn’t get out. The current carried me almost a mile out to sea. Everyone at shore looked so small and far away. It took me about thirty to forty minutes to swim back to the impact zone. On another occasion, I was about ten feet away from a shark. Fortunately, he wasn’t hungry and left pretty quickly. So, not only do we have to deal with currents, waves, surfers, etc., but also the wildlife that lives in the ocean.

 

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PS: Do you have any special routines or physical training to prepare for taking photos in the water?

EM: It’s important to be in very good physical condition. In sports, I’m always combining a lot of tennis, cross fit, swimming and occasionally basketball, wakeboarding or some other sport. The most important part is your nutrition and it should be rich in protein and carbohydrates. Also, staying well hydrated is key, since the physical exertion in the water is pretty strong. Sometimes you end up swimming for up to eight hours in separate periods.

 

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PS: What music do you listen to? Is there any group or particular song that motivates you?

EM: When it comes to music, it all depends on the moment, the size of the waves, the place, or what I want to capture in my images. When the waves are big, I’m always listening to some mix of Maceo Plex, since electronic music keeps me awake and not having lyrics helps me to stay focused. When I’m on some surf trip in an exotic and incredible place, I always like something that's more chill, same as when I’m editing my images.

 

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PS: What kind of equipment do you use? (Lens, fins, camera body, flash, etc.)

EM: I’ve always bought Canon gear for photography. Right now, my main camera is the 1D Mark 3 and the replacement is a 7D; I still have my 30D as well. As far as lenses go, I use a Canon 70-200 f/2.8 IS L (my favorite), a Canon 300mm f/4 IS L, a Canon 50mm 1.8, a Canon Extender 1.4 III, a Tokina fisheye 10-17mm F/3.5-5.6, SPL Water housing, Viper fins, a Manfrotto Tripod and Monopod, and an Xcel lifejacket.

 

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PS: What photographers or surfers do you admire? Did you every have a mentor?

EM: One of the advantages of being born in Puerto Escondido is the fact that you get to interact with people from all over the world, especially from the United States. The first photographer that shared his secrets with me was, and still is, one of my favorites—my good friend and retired surf photographer, Scott Aichner. He’s always a lot of fun inside and outside of the water and has a lot of courage to face the great waves of Zicatela. Another one of my mentors is a good friend of all the locals in Puerto, Jeff Flindt, who has also been nice enough to share his secrets and tips with me to help improve my style, just like another of the best and well known photographers, Todd Glaser, who recommended that I get the equipment that I’m currently using. I also really admire the style of Chris Burkard and his passion for the color gold and for remote places. There’s also Ray Collins from Australia, who has a very particular style and takes incredible photos on stormy, cloudy days with low light.

 

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PS: Do you still surf?

EM: I’ve been a semi-professional bodyboarder for fifteen years. I had the opportunity to represent Mexico in the 2006 ISA World Surfing Games in Huntington Beach, California and was ranked 17th in the world. I qualified for a few years in the world tour of the IBA in Puerto Escondido, where there were only two wildcards. I also participated in many national and international events. This is one of the most important factors in my performance as a photographer in the water, since I have the knowledge of the ocean from the point of view of a surfer and I’m also used to wearing fins. If we pay attention to that minor detail, we might notice that some of the best surf photographers in the water were bodyboarders at one time in their lives or another. Nowadays, I also surf, since it’s a different type of adrenaline that exists when standing on a board (especially catching tubes in Puerto Escondido).

 

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PS: Can you share with us a memorable experience that your work as a professional surf photographer has given you?

EM: I remember vividly the day that my career took a giant leap in the professional field. It was June 17th, 2006 when we witnessed the biggest swell in seven years on the Oaxacan coast—waves of over 50 feet! All the restaurants along the beach had to be evacuated, military personnel executed their emergency plans, and there was destruction everywhere and total chaos! I had the luck of capturing the sequence where Coco Nogales pulled Ken “Skindog” Collins (with the help of a jet ski) into a wave that, months later, would become the best wave of that year. The wave won two prizes, the 2007 Billabong XXL Ride of the Year and Monster Tube. The latter gave me the most important award to date, and not because it was the Monster Tube Photo Award, but because it put me on the map with some of the best big-wave surf photographers in the world.  I was also hired to cover the Rip Curl Search event in Barra de la Cruz, which started the next day and was one of the best events in the history of the WCT

 

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PS: What places has your camera taken you?

EM: Honestly, I haven’t really traveled to too many places, but I can say that I’ve been to Teahupoo, Tahiti three times. Actually, one of those trips has been the best trip that I’ve ever had abroad, since I was with two of my best friends, Oscar Moncada and Coco Nogales, who I shared some super fun and unforgettable moments with. I was also in Hawaii with Oscar two winters ago during the Vans Triple Crown and I’ve traveled with Coco Nogales a few times in search of big waves along the island of Todos Santos in Ensenada, BCN. I’ve been to Finland five times and on one of those trips, I had the opportunity to travel to the Finnish archipelago with Kalle Carranza and Juho Mikkonen in search of waves on a super remote and extremely cold island. Plus, the occasional trip through Western Europe to experience different countries and cultures.

 

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PS: What type of photography do you prefer? Inside or outside the water, and why?

EM: Photography inside the water is much more exciting and fun since you’re in the water with the surfers, fighting the currents and trying to be in the best position to capture the best shot of the surfer riding the inside of a tube. All of this creates an amazing feeling and adrenaline rush that makes you feel like you were surfing too. It’s also a big satisfaction when you know you’re in a very critical moment and that the possibility exists of capturing a memorable image. Sometimes you come out screaming after a wave passes!

But it should also be mentioned that when the waves are big and there’s no possibility of being in the water, it’s also a rush to watch the surfers riding these giant waves and challenging the limits of humanity on shore. So, in that sense, shooting from land can also be a lot of fun but still has its own set of challenges, like finding the right angle, the right height to be able to capture the real size of the wave, observing lighting, etc.


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PS: Do you have any favorite photos?

EM: It’s hard to have a favorite photo. Whenever I’m asked to make a choice for a profile, portfolio, gallery, magazine, etc., it’s very hard to pick just one. Plus, you’re always trying to improve your style and techniques and are experimenting with new horizons, so you always have a new favorite photo.

 

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PS: What do you consider to be the main obstacles you had to overcome by becoming a professional photographer? What advice would you give to photographers who are just getting started and want to make a career in the media?

EM: I think one of the main obstacles is that the surfing industry is very small in Mexico. We lack brands, magazines, websites, even a public who is interested in what this great sport of surfing is. That’s why I had to make my career and myself known abroad. My job is much more recognized internationally than in my own country, which is a shame because Mexico has a lot of talent, as I mentioned before, whether that be through surfers, bodyboarders or photographers that need a good platform where we can exhibit our talent.

My main recommendation to all who are starting in this field is to really follow your dreams, to keep fighting and never give up. The sun shines for everyone and at some point, your work will get into the right hands and you might get the exposure you really deserve. Then, little by little, you’ll keep climbing the ladder. Always train hard and respect the laws of nature and of the sport.

 

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PS: Do you have any special projects lined up for the future?

EM: I’ve been working for a couple of years on the development of a book, which I’m not going to reveal too many details about so that it stays a surprise, but I can tell you that it’s a work that has involved a lot of research, since it has to do with the past and before I was born. It’s not easy, but the day that it’s ready will be one of the greatest days in my life and one of my biggest achievements.

Obviously, there are plans to travel to exotic places with Mexican surfers to continue showing the world that Mexico slowly realizing its potential. It’s great to see the younger generation playing a larger role these days and approaching this sport with great commitment.

Thanks a lot for your time, Edwin; we hope to see you soon. Good vibes and good waves!  

Instagram: @moralesedwin

 

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